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Interiors: Yves Saint Laurent’s treasures

The couture house’s original logo, hand-lettered by graphic artist Cassandre, from 1961.
Butler Adil Debdoubi adjusts the Jacques Grange–designed curtains in Saint Laurent’s grand salon,  from left, the 1914–17 Brancusi wooden sculpture Madame L.R., a Gustave Miklos palmwood-and-red-lacquer stool, Picasso’s 1914 still life in oil and sand, Musical Instruments on a Table, above a late Cézanne watercolor of Mont Sainte-Victoire, an Eileen Gray circa 1920 dragon chair, Léger’s classicizing 1921 Cup of Tea (between the windows), and, at right, Vuillard’s circa 1891 Daydreaming Mary and Her Mother.
Behind a 1920 Rateau leather armchair: Edvard Munch’s 1898 seascape hangs above Henri Matisse’s 1911 The Primroses, from the Blue and Pink Rug series. Below the two paintings is an Émile-Jacques Ruhlmann table lamp, circa 1927.
A 15th-century tapestry forms a backdrop to an Albert Cheuret Aloe lamp, circa 1925–30. To the right of the 18th-century Italian sofa hangs Théodore Géricault’s Portrait of Alfred and Elisabeth de Dreux (top), circa 1818, and Juan Gris’s 1913 The Violin (bottom).
Photographs by Pascal Chevallier for Vanity Fair, you can see more here.

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